• ALA_Architects: #Kilden Performing Arts Centre, #Kristiansand, 2011 http://t.co/QpUA41H9Wednesday, 11 April 2012
  • Photo of the opening fireworks by Tore-André Baardsen

  • office xmas puzzle

  • Kilden has been awarded the Steel Structure of the Year prize by the Finnish Steel Structure Association.

  • ALA_Architects: Samuli will be presenting #Kilden at #Batimat 2011 on the 10th of November.Thursday, 10 November 2011
  • Juho & Tomi @ Kilden hand-over

  • cocktails @ SMS Arkitekter

  • ALA_Architects: The #Kilden Concert Hall brings the Norwegian Concrete Element Prize 2011 to ALA with SMS Architects.Monday, 19 September 2011
  • The foyer benches will be fit with white leather.

  • The new Kilden website gives a sneak preview.

  • Kilden i Feven.

    Wednesday, 31 August 2011
  • NRK filming Kilden, twice.

    Tuesday, 30 August 2011
  • Sculptors Finn Eirik Modahl and Arne Revheim. www.modahl.com www.gurulama.com

  • This 23 x 4,5 x 2 m polished steel sculpture by Finn Eirik Modahl and Arne Revheim will be installed on the rock face behind Kilden in October 2011. Javel!!

  • ALA_Architects: #Kilden building process & cover in Swiss #architecture magazine werk, bauen + wohnen http://www.wbw.ch/de/aktuelleMonday, 16 May 2011
  • Coronium looking up from the mezzanine foyer

  • Audition for West Side Story

  • The Kilden 2nd floor foyer art installation "Coronium" by Claire Obussier and Vong Phaophanit was completed today.

  • ALA_Architects: Juho will be discussing the structural challenges of #Kilden at the #architecture #AHO school in Oslo today at 13!Thursday, 24 March 2011
  • Pekka checking out the installation of the east facade

  • Uplifting atmosphere

  • Detail of Josefine Lyche's wallpainting in progress

  • The concrete floor of the foyer is off...again!

  • Concert hall concrete element

  • partners in the Konsertsal

  • it is not allways easy. Electrical engineer depressed - and for a reason...

  • Kilden in progress article on arch daily, the worlds most visited architecture website.

    Tuesday, 01 March 2011
  • partners in Fruken Larsen

  • oak wall with 13 000 pieces; all individual and numbered...

  • BIM

  • sprinkler

  • Håndverkeren (the Craftsman)

  • pekka&sami @ KRS

  • competition entry panel 4

  • Kilden competitioner: Stavanger Konserthus; ALA visit to buildingsite jan.2011

  • Architects' aurical tradition says that theatres are the most demanding building type. Concert halls are the second.

    To start an office with a project combining these two is one definition of youth.

    Friday, 07 January 2011
  • Agder Theatre summer stage.

  • Henna, thank you!

  • 12/2010

  • Juho & Niklas @ Kilden 12/2010

  • julelunsj 2010

  • PANDION over Norwegian fjords

  • Odd-Arne Moi, construction engineer

  • Beachvolley World Tour @ KRS

  • Herlig Land

  • 2nd foaje

  • charlies bar in KRS

  • ALA @ KRS

  • 11/2009

  • Auvo @ ALA-Norge office

  • testing materials....

  • 10/2009

  • samarbeidspartner Sandsmark and first k-sal elements

  • Styreleder Hannevik & Mette-Maarit

  • ground stone, Mette-Maarit & Frode

  • site 8/2009

  • p-hus

  • 4/2009

  • the hotel

  • p-hus site

  • tutu 1st prize model

  • Mette-Maarit & Juho

  • ALA-crew @ Gardemoen

  • hotel room view to the site

  • project meeting number 47 out of 200; prosjekteringsleder Einar Bögwald at the end of the table

  • first mock-up 2007

  • first site - activities may 2007

  • Kjevik, Kristiansand airport

  • first time at the site feb.2005

  • “A NORWEGIAN BLUE PARROT PINING FOR THE FJORDS.“

  • a glimpse into the process

  • Astronomical Applications Dept. / U.S. Naval Observatory / Washington, DC 20392-5420
    KRISTIANSAND E  8 00, N58 10
    Altitude and Azimuth of the Sun                                              
    Oct 1,2006

    Zone:  1h East of Greenwich
    Altitude    Azimuth (E of N)
    06:00       -5.0        87.9
    08:00       10.5       113.7
    10:00       22.8       142.2
    12:00       28.5       175.0
    14:00       25.3       208.5
    16:00       14.5       238.2
    18:00        0.1       264.5
    19:00       -8.4       277.3


    Tuesday, 21 December 2010
  • Antti working with TUTU competition entry

  • samuli; TUTU competition entry section at the laptop screen

  • Janne 11/2004

  • Juho 11/2004

  • BUILDING PARTS #1: WALL

     

    Our times are taking sculptural abstraction of a regular building perhaps further than ever. Still, each creation, be they “blobs”, “algorithmic designs”, “piles”, “potato chips”, etc. is a reorganization of a few elemental building parts. The catalog of these parts has remained the same ever since our ancestors had THE idea of human history: switch from finding shelter to building it.

    THE ESSENCE

    Wall is the defining building part for human beings. Whereas most terrestrial animals still focus on the ground we decided to stand up 3.000.000 years ago. This makes the wall a natural building part for us. We literally shift focus from floors to walls during the first years of our life. Most people can read floor plans to figure out the space illustrated in them, but have trouble understanding sections projecting floors, ceilings and roofs.

    In most climates the roof is a more important element as weather protection. Still, the sociological value of the wall – its ability to define space – makes it a strong candidate for the title of the most important building part.

    Walls provide feeling of security and safety. But on the other side of this, isn’t there disconnection or captivity? The Great Wall is said to be the one single structure visible to from the moon. What kind of message are we sending out there? What do walls actually do?

    WALLS BETWEEN US

    The most famous wall in recent history is the Berlin Wall (1961-1989). It embodied separation. The barrier wall of the West Bank between Israel and Palestine is carrying on with the same tradition. In the nearby Jerusalem the Western Wall proves that walls can function as unifiers in addition to being mere tools to keep evil out. As the Western Wall is also significant to the Muslim faith, and subject of battle between these cultures, it also proves the fact that walls are never just simple black or white.

    Even the Berlin wall became, with time, a tool of communication. Through ornamentation to posters and graffiti, wall paintings are the oldest existing form of sending messages over time. Wall paintings bring us thoughts from our forefathers 30.000 years back. Talk about connecting.

    As most of us nowadays live in cities it’s notable that walls, more than anything, define our space and frame our view of the world. According to how walls in an urban scale are placed, they frame vistas underlining either opportunities and hope, or limitations and oppression.

    Some of us head to Wall Street to redefine our finances. Meanwhile climbing walls, squash court walls, walls of sound, etc. are used to keep our bodies active and our minds alive.

    BREAK ON THROUGH TO THE OTHER SIDE

    During the 20th century modernist architecture attended to get rid of the wall. It was made non-load-bearing and transparent, aiming to blur the border between inside and outside. Architecture figuratively reflected the trauma of political separation and unwanted boundaries.

    We are now entering the time after ultimate transparency. The idea of exposing everything is being killed by trends like reality-tv, that just take it all too far. In architectural sense, we are learning that transparency without distraction was a dream, and that nonexistence is not reality (these ideas may be achievable somewhere else, like in the virtual realm…never mind a few firewalls…). So we are in the process of defining new goals for an ideal world – and an ideal wall. Lately ecological needs are – conveniently – supporting this awaited re-definition.

    All and all: Walls keep us safe. A borderline means not only a place to separate but also a place to meet. There is no reason to put walls down… just a good reason to think of doors and windows.

    Tuesday, 02 February 2010
  • The first meeting with the client: 08:00 "sharp": on the morning after the prize ceremonies in Kristiansand.

    Three Norwegians sit opposite to us. All have their hands clasped on the table. We all notice, but can't relax enought to comment, as it's the first >100M€ grossing deal for us (...it's the first ANY deal for us).

    Only after we're out of the room we ask each other: What the **ck's with the identical rings?

    Wednesday, 02 February 2005

ARK 1/2012 looks at Kilden and ALA

ARK - the Finnish Architectural Review issue 1/2012 presents Kilden Performing Arts Centre and covers other ALA projects in an extensive 28 page -feature about the office. The issue includes an interview with the ALA partners by Danish architect Bjarke Ingels and views to internationality by Juhani Pallasmaa and Ingrid Helsing Almaas.

View

ALA_Architects: Kilden / ALA Architects Kilden / ALA Architects – ArchDaily http://t.co/tG5X7vLE via @archdaily

ALA_Architects: Kilden / ALA Architects Kilden / ALA Architects – ArchDaily http://t.co/tG5X7vLE via @archdaily

Lauttasaarentie 1

Lauttasaari epitomizes the 1930’s suburban dream. The dream is built of seaviews, grand parks and long vistas across green courtyards between the extensive rows of apartment buildings.

Across the road is the popular hexagonal Mutteri kiosk designed by Bertel Liljeqvist in 1927 to cater for the ferry passengers on their way to their villas (Lauttasaari translates as ferry island). The first bridge to Lauttasaari was built in 1935 and the first block of apartments in 1937, on Pohjoiskaari adjacent to our site. Most of Lauttasaari had been built by the 1960’s and in 1969 a new wider bridge was built. The site is currently known for the strong concrete presence of the Finnish Composers’ Copyright Society Teosto building, built in 1972 and designed by Veikko Malmio.

Our design is based on the principles cherished in Lauttasaari: The form of the building allows for excellent views to sea from every apartment, whilst still preserving a linear form in line with the surrounding city structure allowing for long vistas across the yards. An entrance square with its own café will be formed to complement Mutteri across the road. Also a common sauna will be built on the beautiful natural rock cliff preserved as part of the courtyard rolling down to the new public marina.

Location on the map

Finland_UK New Architects Exchange

The Architecture Foundation in London, along with partners the Finnish Institute in London and the Museum of Finnish Architecture, have announced a new exchange programme for talented emerging architects between the UK and Finland taking place in 2012. Identified through an expert nomination process, the practices chosen to take part are:
Archipelago
Pie Architecture
Studio Polpo
&
ALA Architects
Anttinen Oiva Architects
Avanto Architects

The UK Offices will present their work in a lecture on Valentine's day at the Architecture Museumin Helsinki:

Finland_UK New Architects Exchange Lecture on 14 Feb at 6 pm at MFA

Cloud City 1:1

Three room sized balloons will be installed for the weekend above the Merikortteli courtyard to illustrate the height and extent of the Cloud City project.

We're also organizing a public discussion on ecological planning and Cloud City in Merikortteli, Pursimiehenkatu 29-31 C 104 6 to 8 pm. Welcome!

The event is part of the official World Design Capital Weekend 3.-5.2.2012